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Sixty-nine years old, he was at high risk for the virus and had left the city to stay with family in Delaware. While the shop stood lifeless in blustery May, I reached Ahmed on the phone. But, for the past two decades, Ahmed has felt each vibration acutely, like a needle swinging a seismograph, recording as the magazine industry has shuddered and spiked toward a gradual decline. The turmoil has carried into July, as the national conversation on racial justice, following nationwide protests against the killing of George Floyd at the hands of Minneapolis police, cast a critical light on magazines led by predominantly white, and financially privileged, mastheads.įew outside the industry experience these tremors. Independent publications like the California Sunday Magazine, which is sold by Casa, announced the end of their print editions, planning to move to digital only. For an industry already built on a fault line, the pandemic has exposed its precariousness, triggering a slew of layoffs and furloughs in the face of budget reductions. The downturn set off by the economic ruptures of COVID-19 disrupted magazine advertising and distribution. The shop’s closure came during a chaotic stretch for the media as a whole. For destination tourists-that is, people who are not locals-it’s the only living shrine to print culture in New York City. For “Westies,” Casa is a clubhouse and a weekend confessional.
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Please stay in touch.” While the shop itself feels like a mere compartment, spilling out of a wedge-shaped space on West Twelfth Street, to the West Village it is an institution. That same afternoon, Wasim closed the store, leaving behind a handwritten note taped to the storefront: “Taking it day by day. The Casa Magazines employee Ali Wasim says he wants to sell magazines until the day he dies.